Join screenwriters Wally Lane, Jeff Arch, and editor and former producer Stan Wakefield to learn how to write an original screenplay that could possibly get optioned or bought by a traditional studio or a production company. Additonal topics include how to keep your work compelling, cinematic in nature, properly formatted and realistically 'produce-able'; the elements for writing an "unlimited" script for big-budgeted films and how that differs from writing with a set-budget-in-mind.